===== From tek@evilsuperbrain.com: This is a really nitpicking detail but the angle of the photograph used for the window doesn't correspond to the angle we're seeing it from, which makes it obvious it's a flat photograph. Anyway, sensible criticisms: The cheetah's back dips down too much behind the shoulders but otherwise he looks pretty good. The textures on the cheetah look good (though there seems to be some stretching visible in his reflection). I like the floor texture though the dirt is perhaps excessive, also the dirt goes green in the guy's shadow which is an effect I've seen before but can't remember what causes it. The man looks okay but would look better with a less saturated colour for his coat and with a face that is closer to black since it's in shadow. The texture on the walls seems to suggest each wall is carved from a single slab of marble! Anyway, on the whole it's pretty good. ===== From billpragnell@hotmail.com: I think you should have stuck with Wooosh! to be honest, but the cheetah still looks good! ===== From zekaric@yahoo.ca: Somewhat inconsistent feel in modelling. The cheetah, although looks like it had a broken back, is nicely textured and seems to have better detail and form than other objects in the scene. The picture of the street in the window is really too real for the rest of the picture. ===== From p.gibellini@teinos.com: I like the scene (perhaps I like better the first one - Whoooosh!), but not the man, tto static. ===== From glenn@mccarters.net: Ah, yes, the venerable museum cliche. Nicely done here, with good = lighting overhead and within the cabinet. The cheetah (and everything = in the box) is superb (although unfortunate reflections make some things = hard to see). I like details such as the fire extinguisher and the dirt = on the floor. Mr. Stiff Man, however, needs work. Besides his featureless face and = inappropriate heavy wool coat, he needs to be hunched more forward, = trying to examine the fascinating animal more closely -- and luring us = in to the image at the same time. As it is, he stands by uninterested, = ready to walk away. And so is the viewer. Really good work, Steve.